THE GUARDIAN: Björn Andrésen was the striking child star of the classic film, the perfect embodiment of youthful beauty. Fifty years on, he is still haunted by the exploitation that continued long after filming stopped
Björn Andrésen was just 15 when he walked straight into the lion’s den, being cast as Tadzio, the sailor-suited object of desire in Luchino Visconti’s film Death in Venice. Its release in 1971 made him not merely a star but an instant icon – the embodiment of pristine youthful beauty. Sitting alone in Stockholm today at the age of 66, he looks more like Gandalf with his white beard and his gaunt face framed by shoulder-length white locks. His eyes twinkle as alluringly as ever but he’s no pussycat. Asked what he would say to Visconti if he were here now, he doesn’t pause. “Fuck off,” he says.
No one who sees The Most Beautiful Boy in the World, a new documentary about Andrésen’s turbulent and tragic past, will be surprised by that answer. Visconti, he tells me, “didn’t give a fuck” about his feelings. He wasn’t alone in that. “I’ve never seen so many fascists and assholes as there are in film and theatre,” says Andrésen. “Luchino was the sort of cultural predator who would sacrifice anything or anyone for the work.” He makes his feelings about Death in Venice itself equally plain: “It has screwed up my life quite decently.” Although he is an accomplished pianist, no one seems very interested in that side of him. “Everything I ever do will be associated with that film. I mean, we’re still sitting here talking about it 50 years later.” » | Ryan Gilbey | Thursday, July 15, 2021
