THE SPECTATOR: A week ago, the offices of the French satirical paper Charlie Hebdo were burned down. This attack came after it advertised the founder of Islam, Muhammad, as 'editor-in-chief' of the new issue. The move was a light-hearted response to the very serious matter of the election of an Islamist party (the Ennahda party) as the leading party in Tunisia (a result which, incidentally, appears not to have greatly bothered most European media).
As the staff of Charlie Hebdo contemplated the ruins of their magazine, a much grander and richer magazine, Time, ran one of those pieces which have become familiar whenever there is an Islamist assault against free speech. As Nick Cohen has also noted, the Paris correspondent of Time magazine –- the almost too-perfectly named Bruce Crumley –- used the burning of their offices to taunt Charlie Hebdo's journalists[.]
'Do you still think the price you paid for printing an offensive, shameful, and singularly humor-deficient parody on the logic of 'because we can' was so worthwhile?' he asked before going down a related track by denouncing French politicians who had criticised the firebombing. Mr Crumley is apparently not a fan of free-expression, or even slight jokes, when it comes to Islam. In this respect he is not unique. He follows in a long and ignoble line of useless idiots.
In 2004 when Theo van Gogh was murdered on a street in Amsterdam by a Islamic fundamentalist it was Index on Censorship's turn. You would have thought that with a title like 'Index on Censorship', the reader could expect such a magazine to do what it says on the masthead. Yet in what should have been a pretty straightforward test ('for or against the murder of people who express their opinions') Index on Censorship managed to land it wrong.
They published a piece which claimed that it was not van Gogh's murderer but van Gogh himself who had been a 'fundamentalist'; not Mohammed Bouyeri (the killer), but van Gogh (the killed) who had been on a 'martyrdom operation' by having the temerity to say mean things about Islam. Index on Censorship's author went on to imply that the whole murder was some type of performance art designed to promote van Gogh's new film on the assassination of another critic of Islam, Pim Fortuyn. Read on and comment » | DOUGLAS MURRAY | Tuesday, November 08, 2011
