Piano Concerto No. 2 in C minor is not a performance. It is a confession — of fear, of silence, of the terror of failing in public, and the savage joy of returning. Khatia Buniatishvili plays it as if she knows exactly what that feels like.
Conducted by Gianandrea Noseda with the Filarmonica Teatro Regio Torino, this performance is one of the most visceral and uncompromising interpretations of the Rach 2 in recent memory. Buniatishvili doesn't revere this music. She inhabits it.