FRONTPAGE MAGAZINE: Although when Random House canceled publication of Sherry Jones’ trashy novel about Muhammad’s nine-year-old wife, Aisha, it was succumbing not to actual threats but to the sheer prospect of threats, no one has accused the venerable publisher of “Islamophobia.” Even in today’s hyper-politically correct public square, everyone seems to take for granted that when certain Muslims don’t like something, they threaten to murder the people involved. Random House’s pre-emptive self-censorship constitutes tacit recognition of what Ekmeleddin Ihsanoglu, the Secretary General of Organization of the Islamic Conference, recently termed the “red lines that should not be crossed” -- lines he was dictating to the West. “In confronting the Danish cartoons and the Dutch film ‘Fitna’,” Ihsanoglu declared, “we sent a clear message to the West regarding the red lines that should not be crossed. As we speak, the official West and its public opinion are all now well aware of the sensitivities of these issues. They have also started to look seriously into the question of freedom of expression from the perspective of its inherent responsibility, which should not be overlooked.”
Random House paid $100,000 for Sherry Jones’ racy historical novel about Muhammad and his nine-year-old wife, Aisha, The Jewel of Medina, only to withdraw the book just days before its scheduled August 12 publication date. Random House deputy publisher Thomas Perry explained that they decided to drop the book after receiving, “from credible and unrelated sources, cautionary advice not only that the publication of this book might be offensive to some in the Muslim community, but also that it could incite acts of violence by a small, radical segment.” They decided “to postpone publication for the safety of the author, employees of Random House, booksellers and anyone else who would be involved in distribution and sale of the novel.”
Sherry Jones is an unlikely candidate to be the next Salman Ruhdie, and her novel is hardly in the same league as Dutch politician Geert Wilders’ film Fitna, which vividly depicted Muslims acting upon the dictates of the Qur’an’s violent passages. The Jewel of Medina, by contrast, is a Harlequin Romance-level trivialization of Muhammad’s marriage to Aisha, luridly depicting the child as finding, at the moment of the consummation of her marriage to Muhammad, “the bliss I had longed for all my life” – yes, her entire nine years. Random House and the Islamic War against Free Speech >>> By Robert Spencer | August 22, 2008
The Dawning of a New Dark Age – Dust Jacket Hardcover, direct from the publishers (US) >>>
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